The features on this distortion pedal really provide flexibility and sweet various sounds. Used for rhythm work suitable for punk and rock-rap, this pedal needs only gain from the drive channel; you can scoop the mids and allow just the brightness and balls to ring out; you can use it as a low-pass filter (cut mid and high 100%) on a bass or even process vocals with it (as a sidechain via reamp or even live) for a tight, unique effect. With the Output near max and Drive backed off a bit it provides a really smooth, subtle overdrive (used as a clean boost to get just a bit more sparkle out of an old Champ-style tube amp).
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